'Wonderments: Carnival and Cotton Candy' is part of an Installation for the exhibition 'Wonderments and Materiality" at The BC Crafts Council September 5-October 10, 2019. It will include Kiln-formed Glass, Plaster, 3D prints (PLA Plastic), threads, dyes, and other materials.
Upcoming Exhibitions:
Group Exhibition 2019/2020-"Ireland Glass Biennale', Coach House, Dublin Castle. October 23-January 7,2020.
Group Exhibition 2019- 'Salt Spring National Art Prize' (finalist). Salt spring Island, BC. September 21-October 19, 2019
Solo Exhibition 2019 - 'Wonderments and Materiality'- A Craft-based Installation BC Craft Council Gallery, Vancouver, BC
September5-October 10, 2019 Artist's Talk October 2, 2019. 6:30-7:30pm, Carousel Theatre, Granville Island.
Group Exhibition 2019- NorthWest Color and Light. Port Moody Arts Centre. Feb. 13-March 21, 2019.
Opening Reception February 13, 6:00-9:00 pm
INTERVIEWS/REVIEWS:
Click HERE for Highly Commended in the U.K Warm Glass Competition, 2019
Click HERE for reflections on 'future possible: re-directing design' Ainslie and Gorman Art Centre, September 2016
Click HERE for interview with The glass Art Association of Canada, June 2016.
Click HERE for an interview with The Pique News Magazine August 2016.
Click HERE for the link to Walking Labs research on Propositional Walking 2016
Click HERE for Highly Commended in the U.K Warm Glass Competition, 2019
Click HERE for reflections on 'future possible: re-directing design' Ainslie and Gorman Art Centre, September 2016
Click HERE for interview with The glass Art Association of Canada, June 2016.
Click HERE for an interview with The Pique News Magazine August 2016.
Click HERE for the link to Walking Labs research on Propositional Walking 2016
"Whistler Rock face", 2018. Kiln-Cast Glass (Bullseye) HIGHY COMMENDED in the U.K Warm Glass Competition, Bullseye Glass, 2019; on View in Dublin, Ireland at the Ireland Glass Biennale (October 23-January 7th, 2020). This piece is part of my series in glass investigating the topographies near my home in Whistler, BC and Matapouri, New Zealand. Though initially this work appears different from my 'Wonderment' series and installations, it is linked by the magic of investigating and noticing all that is close by. Other pieces in this glass series were created between 2015-2018, and continues as an ongoing investigation.