JENNY JUDGE
  • Home
  • C.V
  • SCULPTURE
    • 2021 (ceramics)
    • 2020 (land) >
      • Forest Floor
      • Sandstorm
      • Pebbly Bay
    • 2019 (mixed) >
      • White Sky
      • Alchemy
      • Moonscape
      • Carnival and Cotton Candy
      • Whisperings
    • 2016-2018 (glass) >
      • LANDSCAPES >
        • Freestanding and Held Pieces
        • Botanical explorations
        • Wall Pieces
        • Bottles
    • 2012 (fabric)
    • 2008-2010
    • 2009 (polymer clay)
    • 2007 (fabric)
    • 2005 (mixed)
  • DRAWING
    • No Man's Land
    • Empty Streets, 2021
  • ARCHIVE
    • Glass 2004-2012
    • Technology >
      • 3D printing
      • PotterBot
      • Rhino and Fusion 360
      • Photogrammetry
    • Wearable Art >
      • GAS 2016 fashion show
      • Naughty Knotty 2014
      • Take Off! 2010
​
I learned kiln-cast glass when I initially moved to New Zealand in 2003/04 and have been exploring it as a medium for many years. It has led me to investigate topographies, bottles, botanicals, and vessels. 

Topographical landscapes
LANDSCAPES
BOTANICAL
GLASS 2004-12
  • Home
  • C.V
  • SCULPTURE
    • 2021 (ceramics)
    • 2020 (land) >
      • Forest Floor
      • Sandstorm
      • Pebbly Bay
    • 2019 (mixed) >
      • White Sky
      • Alchemy
      • Moonscape
      • Carnival and Cotton Candy
      • Whisperings
    • 2016-2018 (glass) >
      • LANDSCAPES >
        • Freestanding and Held Pieces
        • Botanical explorations
        • Wall Pieces
        • Bottles
    • 2012 (fabric)
    • 2008-2010
    • 2009 (polymer clay)
    • 2007 (fabric)
    • 2005 (mixed)
  • DRAWING
    • No Man's Land
    • Empty Streets, 2021
  • ARCHIVE
    • Glass 2004-2012
    • Technology >
      • 3D printing
      • PotterBot
      • Rhino and Fusion 360
      • Photogrammetry
    • Wearable Art >
      • GAS 2016 fashion show
      • Naughty Knotty 2014
      • Take Off! 2010